| |
Since this list is still very incomleate, why not take a look at the
Spanish-English Dance Vocabulary
compiled by Daniel Trenner
Tango dancing figures (and related terms)
Gerneral Tango Terms
Longer definitions and explanation of "Tango Terms"
Last edited Aug. 1999
Tango dancing figures (and related terms)
| Terms |
Translation |
Short Definitions |
| English |
German |
| abrazo |
embrace, dance hold |
Umarmung, Tanzhaltung |
some articles about the dancing frame |
| amague |
|
|
|
| arrastre |
arrastrar = to drag |
|
|
| barrida |
a sweep |
|
as in sweep with a broom :-) |
| base |
basic pattern |
Grundschritt |
There are several basic patterns, all called "base". |
| boleo |
|
|
|
| calecita |
|
|
merry go round, happens at the quebrada |
| cadena |
chain |
Kette |
|
| cafe con leche |
|
|
;-) Something you take for breakfast, perhaps together with a medialuna |
| caminada |
caminar = walk |
gehen |
|
| celesita |
|
|
|
| corrida |
correr = to run |
|
run, implies a short sequence of forward steps, rather than a
basic |
| corte |
cut |
(Ein)schnitt |
|
| cruzada |
cruzar=to cross |
kreuzen |
|
| enrosque |
corkscrew |
Korkenzieher |
|
| entrada |
entrance |
eintreten, Eingang |
|
| firulete |
embellishment, ornament |
Verziehrung |
|
| freno |
brake |
Bremse |
|
| gancho |
a hook |
Haken |
|
| giro |
a turn |
Drehung |
|
| lapiz |
pencil |
Bleistift |
|
| llevar |
to lead, to carry |
führen, tragen |
|
| llevada |
|
|
a carry, happens when the leader uses the upper thigh to "carry"
the follower's leg top the next step, needs illustration to understand! |
| llevada |
marcar |
|
|
| media vuelta |
half turn |
halbe Umdrehung |
|
|
Milonga |
|
|
dance, mother of tango
also: an 'event' where you dance tango (let's go to the milonga tonight) |
| |
|
dancing hall, where tango is danced |
| molinete |
molino = mill, as in windmill
molinete = grapevine |
Mühle |
a dance move, in A.
Tango this is typically in a circle around the leader |
| mordida (=sandwich) |
morder = to bite |
beißen |
The foot of one partner is "trapped" between the two
feet of the other partner. If the legs of this other partner
are crossed, then it is a reverse mordida. |
| ocho |
eight |
acht |
very basic figure, the feet of the follower mark
an 8 on the floor |
| ocho cortado |
cut eight |
|
happens when an molinete or an ocho-like movement
is stopped and sent back upon itself. Typical in club style where many such
brakes are used to avoid collisions! Needs a teachers explanation, since I
am unclear on all the different movements in this category. |
| parada |
a stop |
Halt |
|
| quebrada |
break |
Bruch |
a position where the
woman stands on one foot, the other one hanging relaxed behind the standing foot,
often seen with the woman hanging with all her weight against the man |
| resolucion natural |
|
natürlicher Abschluß |
|
| reverse mordida |
|
|
see mordida |
| rondo |
|
|
|
| sacada |
|
|
|
| salida |
exit, go out |
Ausgang |
first steps of dancing tango, derived from:
"Salimos a bailar" = Shall we (go out to the dance floor and) dance? |
| sentada |
sentar = to sit |
(hin)setzten |
|
Gerneral Tango Terms
| Canyengue |
Arrabalero, of low social status. |
| A way of interpreting
or dancing tango |
| A reunion (party) where the people from the
arrabal (the slums) dance. |
| The sound obtained from the double
bass when the strings are hit rhytmically with the hand and the bow. |
| Candombe |
A type of dance danced by (originally) the descendants of black
slaves in the Rio de la Plata region. |
| A type of african-origin
music with a marked rhythm played on a "tamboril" (kind of drum). |
| The place where the blacks congregated to dance. |
| Tango |
Popular music from the Rio de la Plata region dating back to the middle
of the XIX century. It was defined by a 2 x 4 beat until the decade of
the '20s in the XX century, and a 4 x 8 beat thereafter. |
| A type of african-origin
music with a marked rhythm played on a "tamboril" (kind of drum).
dance where an embraced couple perform a series of (sometimes intricate)
patterns primarily with their legs, to the rhythm of tango m |
| Direct descendant of the Candombe, Habanera, Milonga, and (by some
tango scholars) the Tango Andaluz. |
| The place where the blacks
congregated to dance to the rhythm of drums. |
| (Note: entire books and lives have been dedicated to the search for
the ultimate definition or origin of the word "tango", i.e., this is
only a minimal subset of the available definitions.)
|
| Milonguero |
A man who likes to attend the milongas. |
| A person whose
life revolves around dancing tango and the philosophy of tango. |
| Payador pueblero (traveling folk-music singer.) |
| A title given by other tango dancers to a man who has mastered the tango
dance and embodies the essence of the tango. |
| Milonguera |
Female dancer (for hire) of the early dance halls, cabarets,
and nightclubs. |
| A woman who likes to attend the milongas. |
| A woman whose life revolves around dancing tango and the philosophy
of tango. |
| A title given by other tango dancers to a woman who has
mastered the tango dance and embodies the essence of the tango. |
| Milonguita: A woman of loose morals, often times
a prostitute. |
| Tango Liso |
A way of dancing tango characterized by its lack of fancy
figures or patterns. Only the most "basic" tango steps and figures
are utilized, e.g., caminadas, ochos, molinetes, etc. Ganchos, sacadas,
boleos and other fancy moves (such as leaps, sentadas, and all
acrobatics in general) are not done. |
| Tango de Salon |
A way of dancing tango characterized by slow measured moves.
It includes all of the "basic" tango steps and figures plus some
sacadas, giros, and low boleos. The emphasis is on precision. The
dancing couple remains at a "proper" distance from each other, i.e.,
their bodies are *not* in a close embrace. This is what happened to
the tango when the French and the English got a hold of it in the
early part of the century (pre-World War I) :^) This is the style of
dance that most people who run milongas wish people did, and the
style most dancers wish the *other* dancers did... :^)
|
| the terms 'Tango de Salon' and 'Tango Milonguero' seem to be interpreted differently by
different dancers and teacher, so one should be aware that other people might think of
something different when they talk about 'Tango de Salon' |
| Tango Danza |
Tango dance (in Spanish). |
| Tango for Export |
A way of dancing tango much derided by the milongueros
of Buenos Aires. It's a tango without soul. This is a tango that
plays well in the cabarets of Paris, New York, Berlin, or Tokyo
because most of what made it a Porte~no dance (one that spoke directly
to the soul of the Argentino) has been stripped away, leaving only
the fancy moves and pseudo passion for the enjoyment of an exotic-
loving public. |
| Tango Fantasia |
This a hybrid tango. An amalgam of traditional tango steps
and ballet, ballroom, gymnastics, ice-skating figures, etc. This is
what most people see when they buy tickets for a tango show. The moves
include all of the basic tango moves plus, ganchos, sacadas, boleos of
every kind, sentadas, kicks, leaps, spins, and anything else that the
choreographer and the performers think they can get away with. The
music played might not even be a "real" tango, i.e., it can be Jazz,
a bastardized classical piece, etc. Alas, this is the style of dancing
most prevalent at the milongas outside of the Rio de la Plata region.
Usually badly performed by ill-behaved tango dancers and frustrated
tango performers who insist in getting their money's worth at the
milonga even if they have to kick, step, bump into, or trip every
other dancer on the floor. |
| Tango Orillero |
Orillero means "of the outskirts". Thus, this was a style of
dancing tango that was "outside" of the prevalent way of dancing.
Nowadays, is more defined by its quick moves, kicks, and acrobatics.
See "Juan Bruno" for more details.... ;-) |
So far, the definitions for these general Tango terms are from Caran Fanfunfa (Thanks for your work!)
You are all invited to add further definitions to this list. |
Garrit Fleischmann
5.Jun.96
|